ROCHELLE FEINSTEIN

www.rochellefeinsteinstudio.com


SOLO EXHIBITIONS

2009  I Made A Terrible Mistake, LAB Space/Art Production Fund, New York

2008      The Studio Show, at David Reed Studio, New York

       Momenta Art, Brooklyn, New York

    The Suburban, Chicago, Ill

2002Pictures. Ten in One Gallery, New York

1996Men, Women, and Children, Max Protetch Gallery. New York

The Wonderfuls, Jersey City Museum, New Jersey

Copycats, Bill Maynes Gallery, New York

1995Paintings, Halsey Gallery, Charleston, North Carolina

1994Paintings, Max Protetch Gallery, New York

1993David Beitzel Gallery   New York

1989Emily Sorkin Gallery, New York

1987       Emily Sorkin Gallery  New York


SELECTED GROUP EXHIBITIONS:

2010      Desire, (Feb.), Blanton Museum of Art, Austin, TX

2009    Talk Dirty to Me, Larissa Goldston Gallery, New York, NY

2008      Video as Video: Rewind to Form, curated by Alicia Eler and Peregrine Honig.

      The Swimming Pool Project Space, Chicago

World’s Smallest Art Fair, Anna Kustera Gallery, New York

2007   Aporia-Aporia, curated by the dB Foundation, LACE Gallery, Los Angeles, CA

  Horizon, curated by David Humphrey, EFA Gallery, New York

2006CMYK, CANADA Gallery, New York

Aporia, curated by the dB Foundation, EFA Gallery, New York

E-Flux Video Library, Arthouse, Austin, TX

Guess Who’s Coming to Lunch?, curated by Dean Daderko, David Reed Studio,

                  New York

Let’s Talk About… Larissa Goldston Gallery, New York

181st Annual of Contemporary American Art, Natl. Academy Museum, New York

2005 Techno-Sublime, CU Art Museum, Boulder, CO

Heavenly, or A Slice of White,  Bertha and Karl Leubsdorf Art Gallery, Hunter College, New       York

2004  A More Perfect Union, Max Fish, New York

Spacemakers, Lothringer Dreizehn,  Munich, Germany.

Giverny, 5 years of artists, Salon 94, New York.

After Matisse/Picasso, P.S.1 Contemporary Art Center, Long Island City

Table Top Sculpture/Jessica Stockholder, Gorney Bravin & Lee, New York

2002Liste Art Fair, Basel, Switzerland

  Table Top Sculpture/Jessica Stockholder, Gorney Bravin & Lee,  New York

2001Camera Works, Marianne Boesky Gallery, New York

All About Paint, Art Museum of University of Memphis, Memphis, TN

I See You(2), curated by Sam Messer/Kiki Smith, Fredericks/Freiser, New York

2000       Foundation for Contemporary Performance Arts Benefit, Matthew Marks Gallery, New York

The Living End, curated by Ingrid Shaffner, Boulder Museum of Contemporary

Art, Boulder, CO

Gesture and Contemporary Painting, Warren Robbins Gallery, University of Michigan, Ånn Arbor

1999 Negotiating Small Truths, Jack S. Blanton Museum of Art, University of Texas at Austin, Austin,, TX

Calendar 2000, Bard Center for Curatorial Studies Museum,  Bard College, Annandale-on-Hudson, NY

Conversation, A.R.T. (Art Resources Transfer), New York

Down to Earth, Marianne Boesky Gallery, New York

1998From Here to Eternity,  Max Protech Gallery, New York

1997The Drawing File, Pierogi 2000 The Gasworks, London

Current Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, Bklyn, NY

S.L.A.D., Apex Art, New York, NY

1996      Reconditioned Abstraction, Forum for Contemporary Art, St. Louis, MO

Painting in an Expanded Field, Bennington College, Bennington, VT

1995      Re: FAB.  Painting Abstracted, Fabricated and Revised, University Art  Museum, USF, Tampa,

       FL

Works on Paper/Faculty, Yale University, School of Art, New Haven,CT

Skew:  The Unruly Grid Gallery 400, University of Illinois at Chicago, IL

Cutting Up, Max Protech Gallery, New York

Other Rooms, Ronald Feldman Gallery, New York

Actual Painting, Periogi 2000, New York

1994New Painting, Max Protetch Gallery, New York

American Abstraction,  A  New Decade, Southern Alleghenies Museum of Art,Loretto, PA

Redefining  the Pop Icon n the 90s, Pamela Auchincloss Gallery, New York



SELECTED BIBLIOGRAPHY

Ash, John. Review, Artforum, November 1993.

Betts, Kristie, Review, The End is Here, Boulder Weekly Sept. 2000

Bless, Nancy.  Review, New Art Examiner, March 2000

Bohnen, Uli. New York in Review, Kunst Koln, Fall, 1989.

Cyphers, Peggy. Review , Arts Magazine, Summer 1989

Decter, Joshua.   New York in Review, Arts Magazine, Summer 1989

Elliot, Deborah. Review. The Commercial Appeal, June 24, 2001

Eler, Alicia, Review, TimeOut.Chicago,The Suburban, February 21, 2008.

Feinstein, Rochelle.   The Question of Gender in Art,artist's statement, Tema Celeste,Winter 1993.

________________,  Artists on Artists/Pam Lins. BOMB Magazine, Summer 2007

_______________,    Art on Paper, Artifacture, essay.  December 1999

_______________,    Artist Statement, New Observations, Winter 1996

                                  __ ,  Mob Rule, roundtable discussion on the Whitney Biennal 2000,   May, 2000

________________,  The Revenge of Capital: Barbara Kruger and the Fine Art of Selling, Arts Magazine,    December 1988

Freedman, Matt. Review, Review, November 15, 1996

Griffin, Tim. Review, Paper Magazine, January 1996

Gregg, Gail. ArtNews Magazine, How to Talk to an Artist., June 2005

Hagen, Charles.  Review, The New York Times, April 1, 1993

Hall, David. Review.  The Memphis Flyer, June 7, 2001

Handy, Ellen. Review. Arts Magazine, January 1988

Heartney, Eleanor.  Review, Art in America, April 1997

Johnson, Ken. Bus-Borne Prints: Mass Artistry in Motion.The Museum of Modern Art. New York Times,  Feb 18,1980

___________. Art in Review, The New York Times, April 5, 2002

Kaneda, Shirley. Painting and Its Others:  In the Realm of the Feminine,

Kley, Elizabeth.  Review, ArtNews Magazine, Summer 2002.  ARTS Magazine, Summer 1992

____________, Review, Aporia. TimeOut Magazine, April 20-26, 2006

____________, Review, Gotham Art & Theater/I Made A Terrible Mistake, Artnet, June 25, 2009

Knafa Robert. 90s Pop at Auchingloss, Art and Auction. Issue 1004

MacKenzie, Duncan Bad At Sports/Podcast. Episode 192, May 3, 2009

Mendelson, John. Review, Artnet Magazine, October 15, 1996

MacMillan, Kyle, Review, Denver Post, February 10, 2005

Marglin, Elizabeth, Review,Daily Camera, Boulder, Co. February 4, 2005

Mitchell, W.J.T. Essay, ABSTRACTION  AND INTIMACY, What Do Pictures

Want?, The Lives and Loves of Imaes. 2005,UofChicago Press

Moyer, Carrie,  Essay, Modernist at the Disco, Art in America, September 2008

Myers, Holly, Review, Los Angeles Times, July 20, 2007

Pardee, Hearne.  Review. ArtNews, February 1988.

Ramirez, Yasmin.  Review.  Artnet Magazine, December 6, 1996

Review, Print Collectors Newsletter, March 1996

Review, Art on Paper, Working Proof, December 2000

Servetar, Stuart.  Review, New York Press, January 1996

Schade, Christopher. Review, Austin American Statesman, September 18, 1999

Schmerler, Sarah.  Review, Time Out New York. November 28,1996.

                                  ,  Review, Working in Brooklyn Time Out New York, August 1, 1997

_____________,    Review, Disco Balls Meet the Iraq War in Williamsburgh, Village Voice,

February 12, 2008

Schwabsky, Barry.Review.Artforum, March 1997

_______.              The Wonderfuls at the Jersey City  Museum. The New York Times, 9/29/96

_________.          Natural Anti-Natural Painting, Flash Art, January/February 1988.

Shaw, Cameron. Review, Rochelle Feinstein Remembers Michael Jackson, Art in America Online,7/6/09

Smith, Roberta. Review, The New York Times. November 22, 1996

____________, Review,The New York Times. July 6, 2001, Photography Review.

Tully, Judd. Feature Interview, Cover. September 1993

Van Gelde, Hilde. Essay, The Documenta 12 Project and Beyond, Aprior June 2007

Westfall, Stephen.  Review , Art in America, March 1988



GRANTS/AWARDS/FELLOWSHIPS:

Anonymous Was a Woman  (2008)

John Simon Guggenheim Foundation Fellowship

Foundation for Contemporary Art

Louis Comfort Tiffany Foundation,

Joan Mitchell Foundation

Tesuque Foundation


ARTIST RESIDENCIES:

Giverny Foundation. Giverny, France/Art Production Fund invitee

Yaddo Artists Colony

Rockefeller Foundation at Bellagio, Italy

MacDowell Foundation,

Civitella Ranieri . Umbria, Italy

American Academy in Rome, Visiting Artist

Montalvo Center for the Arts, California

Marie Walsh Sharpe Foundation Studio Program



1995-present, Professor of Painting and printmaking, School of Art, Yale University, New Haven,CT